Poll!
- Piranesi - Susanna Clarke
- Mexican Gothic - Silvia Moreno-Garcia
- In the Vanishersā Palace - Aliette de Bodard
- Spoiler Alert - Olivia Dade
- Night Shine - Tessa Gratton
- Burn Our Bodies Down - Rory Power
0 voters
I am chronically behind on the actual books but I LOVE these threads and add all of the books to my list.
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I loved spoiler alert and will email the ebook to anyone who asks nicely.
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If I mysteriously receive a copy of spoiler alert, I can do book club
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The winner is: Piranesi! I just saw a review of it that said ātoo whimsical in the beginning for my mood right nowā so Iām excited 
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Yaaaaaas Iām in for Piranesi! Iāve been meaning to read it.
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The people have spoken! Sounds perfect for my mood right now, for some reason lately Iāve only been able to concentrate on either nineteenth-century coming-of-age stories or whimsical fantasy.
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yay my library has it. Iām always amazed when I can just download the book from my phone onto my Kindle. Like how does this magic work?!? Itās just going to be on my Kindle the next time I open it? What!?!
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I started reading Piranesi today. Has anyone else started? It feels like a cross between the Narnia books, especially Charn (and the homage to Lewis is quite explicit), and House of Leaves. Iām enjoying it very much.
I also seem to already be 10% of the way through it. Iām surprised at how quickly itās going considering the authorās other novel is an enormous, slow tome!
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I read it last month - I really loved the chill explorey-ness of the start (and really, all) of the novel!
I think I actually read an interview where she said chain was a big influence? I didnāt get much of a House of Leaves vibe, just because I didnāt feel any sense of malevolence from the house (and also no pretentious meta-commentary) .
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I just got it out of the library ā I need to finish another book first (I have seven going!) and then Iām going to start.
I am very excited about the description as Narnia x House of Leaves because those are things I love. Also I loved Jonathan Strangeā¦ so, yannow.
I was definitely surprised at how small the book was when I picked it up. 
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Yeah, thereās definitely no malevolence here (so far)āI think itās just the House seeming to have a will of its own that gives me a House of Leaves vibe. I do think itās somewhat meta so far, thoughāthe reader is not in Piranesiās head, but in his diaries, and he has written about the diaries in the diaries.
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The word āminotaurā has just been brought up and noted as relevant. House of Leaves connection confirmed 
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OK, I finished it last night! It was fabulous and oh boy do I have a lot to say.
I loved how it was in dialogue with not only C. S. Lewis, but likeā¦ all the other things Iāve read with deep and mysterious and/or Western ceremonial/esoteric magic.
Laurence Arne-Sayles fits a specific type that fascinates me. Heās not just a cult leaderā¦ heās specifically the slightly mysterious, amoral academic leader who pulls in a small group of extremely devoted followers with deep and mysterious knowledge. The same type shows up in Tam Lin and The Secret History.
Thoughts about consequences
And, of course, none of them really faces consequences.
Spoilers for Tam Lin
When Tom gets away, Medeous is just likeā¦ well this is going to be worse next time. No consequences in the text.
Spoilers for The Secret History
Julian isnāt involved in the murders, of course, but heās not entirely blameless, either. And when things get rough he just sort of skedaddles. He doesnāt hang around for any emotional consequences and he certainly doesnāt get any legal consequences.
Technically, Arne-Sayles does have consequences, of courseāhe goes to jail! But thatās only a consequence what he did to James Ritter, not for what he did to Sylvia or any of the other people who died in the House. (Likely not all of them are his fault, but undoubtedly some of them are.) No consequences for pulling other people into things, either. He doesnāt seem to feel any remorse or sorrow. Ketterley is the one who has actual consequences, and he deserves them, but without Arne-Sayles he never would have gotten involved. (Then again, maybe he would, if he is indeed descended from or otherwise related to the Andrew Ketterley of The Magicianās Nephew.
Thoughts on Piranesi's memory
Through most of the book I thought that living in the House is what messed with Piranesiās memory, but as I moved toward the end I thought I might be wrong and Ketterley messed with his memory on purpose. After all, he seems to retain things from after he arrived in the House just fineālike all the directions and the locations of the statues. And Ketterley lies to him about enough things that he could very well be lying about Piranesi losing track of the days and things like that.
But there isnāt any explicit revelation that Ketterley did anything. And James Ritter also seems to be messed up, whether by having lived in the House or having left it. So maybe it is living in the House that messed with his memory? What do you think?
Near the very end, Piranesi using statues as shorthand for people made me think of memory palaces, which is apparently a genuine memorization technique but is also associated with Western esotericism to me because of books itās shown up in.
The ending also makes me think of this song:
https://genius.com/Peter-gabriel-solsbury-hill-lyrics
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Anyone else have the hardcover version? Thereās a really lovely second cover design under the dust jacket which I just found.
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This wasnāt really what I expected but I enjoyed it a lot!
spoilers hidden
I donāt think Iāve ever before read something in this specific niche of wholesome semi-horror epistolary portal fantasy.
Obviously this book is very different from Strange & Norrell, but Iām again impressed by Clarkeās ability to make a piece of writing seem deeply and accurately old-fashioned but unique to herself as an author. Iām reminded of so many stylistic influences I feel like I need some kind of mind map. Like, the structure of a first person narrative in journals where our hero learns a disturbing secret about himself owes a lot both to Victorian detective novels and to Lovecraft, but thereās something modern in there too, less xenophobic and more surreal.
Some of the characters explicitly claim that the House is also a representation of an older attitude towards nature. Donāt know if I believe that. For one thing, Piranesi has a pretty modern attitude himself, his entries about exploring the halls read more like Darwin than anything, and that doesnāt keep him from thriving. For another, itās not like there arenāt still people practicing ancient religions involving a responsive connection to their environment, does Arne-Sayles think the Brits have a monopoly on ritual or something?
Anyway, I like this fresh take on portal fantasy, where the travelerās response is neither āhave an adventure that changes the worldā or ātry to get home to the other worldā but ābecome the person who can survive in this placeā. And Piranesi is so full of joy, which I needed this month.
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Summary
Right?! Itās a very colonialist attitude. Which fits well with the rest of Arne-Saylesā character, honestly. And Ketterleyās (both Ketterleys).
āWholesome semi-horror epistolary portal fantasyā is a great description. Iād love to read more wholesome semi-horror portal fantasy! Which I guess is what The Magicianās Nephew is, though Iād say itās lighter on the horror than Piranesi since the horror of Charn is in the long past and doesnāt directly impact Polly and Digory.
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I finally read this yāall and HOLY SHIT I loved it. Iām a sucker for epistolaries and for stories about weird houses, and this is a great example of both. Clarke is such a good writer ā a talented prose artist, a great storyteller, a great character creator.
spoilers beware
I love Piranesiās love for the House and the Statues. I know it should probably feel creepy to me ā here is a man betrayed and trapped in a labyrinth, losing his memories, struggling to survive ā but fundamentally his reaction to being trapped in a labyrinth was to find the beauty and peace in it. That struck me as incredibly profound, not only the semi-trite wisdom of āfind the beauty around youā but also the fact that a character could be profoundly, deeply mentally ill and also happy ā because Piranesi is full of joy and love. It was profound and beautiful to read that.
Definitely love the capitalization scheme also. 
I also really loved how she handled his coming back into his memories. There are so many little seeds from the very beginning ā the Other only appearing at particular times, the little screen, the way he doesnāt know the House and always has goods from the outside world, the torn paper everywhere, the journal numbering, etc ā and it just continues to develop until and through Piranesi/Sorensenās realization of who he is. She really portrays how much a human being is not a static thing, but something constantly in flux, something always being created every moment. We watch someone integrate two parts of himself and itās very deeply an ongoing and never-ending process.
@Clare-Dragonfly I do think that it was living in the House that messed with his head. By living in the House, he is in some way very literally living outside reality (or at least ānormalā reality). He has to adapt, and it means that he cannot be who he always was. When he recovers his memories of Sorensen, well ā he canāt be Sorensen again either. He has to become someone else, someone who contains both Sorensen and Piranesi. (And frankly, I donāt think Ketterley is powerful enough to mess with him that strongly. He canāt control Piranesiās behavior, let alone his memories; all he could do was trap him in the House.)
The bit with the people-reminding-him-of-Statues also reminded me of the memory palace. Thereās a lot about this book ā all of Arne-Sayles everything, the House itself, Piranesiās reaction to it ā that make me think that Clarke is very familiar with the Western occult and ceremonial magic.
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Great essay about Piranesi on Tor.com:
How to Pay Attention: Susanna Clarkeās Piranesi | Tor.com
I really liked this bit.
There is a horrifying twist, and itās important, but I donāt think itās exactly the point of the book? ā¦ However, the twist does manage the improbable feat of making Piranesi even more lovable.
Thereās also some good connections to The Rime of the Ancient Mariner, which I naturally thought of when the albatross arrived (as well as the albatross that appears in The Voyage of the Dawn Treader to guide them out of the nightmare darkness*), but didnāt remember well enough to compare.
- I also thought of the Monty Python albatross sketch, but that didnāt seem relevant
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OK, and since the essay referenced a āhistorical Piranesi,ā I googled that phrase and got this:
Well, now the name makes sense. And apparently Coleridge was a fan of his work. Layers upon layers!
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